Keanu Reeves is jet-lagged. The 57-calendar year-previous Hollywood lifer has just arrived in Los Angeles soon after a flight from Jordan, where by he was filming the fourth John Wick, a punishing franchise not accurately acknowledged for its leisurely speed. He hasn’t been household in eight months, but rather of sleeping it off, he’s at a image shoot. Fatigue sets in. He buries his eyes in his palms, hoping to rub lifetime back into his strained pupils just after the steady pop, pop, pop of the camera’s flash.
Acquiring his photo taken does not rank large on Reeves’ checklist of favorite matters. It never ever has. But he appears to be like up and smiles when a pair of comforting hands relaxation on his shoulders: They belong to Carrie-Anne Moss, his longtime costar from the Matrix films, positioning herself guiding him for the shot. You can find an simplicity involving them that arrives from 20-additionally a long time of friendship — a friendship that commenced in the late ’90s when the pair achieved on the genre-redefining sci-fi film that turned out to be so influential, it single-handedly introduced phrases like “glitch in the Matrix” and “purple-pilling” to the pop society lexicon.
Moss calls their link effortless. “We’ve been by way of this encounter collectively as associates,” states the actress, 54. “The only way I can explain it is like a soul friendship.” Their unique bond manufactured 1999’s The Matrix what it is currently, and The Matrix, in convert, altered the program of moviemaking on the eve of a new millennium.
That initial movie, inspired by then-geekier genres like cyberpunk and anime, envisioned a grim upcoming in which our globe, unbeknownst to us, had been taken over by machines: Using a simulated reality, artificial intelligence retains human beings docile ample to harvest for electrical power. At the middle of this brainy large idea was Reeves’ Neo, a bored business office employee moonlighting as a computer hacker who escapes the simulation, and Moss’ Trinity, a lady from the authentic entire world with the skill to jack into the Matrix — not to mention a talent for executing gravity-defying battle moves when clad in slick black leather.
After all these decades, neither star would’ve guessed that they’d be back alongside one another conversing about however an additional sequel, The Matrix Resurrections, which lands in theaters and on HBO Max Dec. 22. How could they? Sibling directors Lana and Lilly Wachowski, the architects of the franchise, had been business in their solve that the 1st a few installments would serve as a total trilogy, definitively ending in 2003 with The Matrix Revolutions… and (two-10 years-previous spoiler warn!) with both Neo and Trinity dying at the conclude.
When requested why he agreed to return to the series right after a virtually two-10 years hiatus, Reeves provides a very basic explanation: “We had filmmakers who you preferred to say sure to,” he says. Moreover, he adds, “[we had] product that you wanted to commit to, to give almost everything that you could to.”
The real journey to Resurrections, however, was a little more complicated than that. At a Berlin screenwriting panel back in September, Lana said that every calendar year, Warner Bros. would ask her and Lilly to make another Matrix film, but they constantly declined. In 2017, screenwriter Zak Penn (X-Guys: The Very last Stand, The Avengers) unveiled that he was functioning on undisclosed Matrix assignments with no the involvement of the Wachowskis, who experienced stepped away from element filmmaking right after the disastrous reception to 2015’s Jupiter Ascending. Lilly told The Hollywood Reporter in 2020 that corporate interference on her movies pushed her to a “breaking stage.” In its place of continuing her collaboration with Lana, she claimed that she essential to “reconnect” with herself as an artist by heading back again to faculty and doing work on other tasks.
“The Matrix was a innovative film and giving that legacy to someone else I consider [would have been a] horrendous miscalculation,” claims Jada Pinkett Smith, returning for Resurrections as her character Niobe from the to start with two sequels, The Matrix Reloaded and The Matrix Revolutions.
For Lana, it was a sequence of tragic, existence-altering events that ultimately changed her mind: the demise of her mom and dad and a shut pal. “I failed to truly know how to method that sort of grief,” she reported at the Berlin panel. “I hadn’t skilled it that carefully.” The Matrix‘s figures gave her comfort and ease: “I couldn’t have my mother and father, still suddenly I experienced Neo and Trinity, arguably the two most crucial figures in my lifestyle.”
Profound private adjust has often been central to the Matrix universe. The Wachowskis came out as trans and underwent gender reassignment medical procedures in the a long time considering the fact that Reloaded and Revolutions both equally hit theaters in 2003. This awakening might have been an unspoken portion of The Matrix because the beginning Reeves remembers an early draft of the primary script that featured a character who entered the Matrix planet as a unique sexual intercourse. “I believe the studio wasn’t all set for that,” he says.
“Technological know-how paradoxically brought us closer with each other although also isolating or inculcating us from each and every other,” Lana Wachowski, 56, writes to EW. (In a really Matrix-like transfer, the director did not sit for an job interview, preferring to connect by using e-mail.) “The electric power of technological innovation to lure or restrict our subjective fact was an important part of the new narrative for Matrix Resurrections.” She describes that “the story [for Resurrections] exploded relatively totally formed” from her mind. Neo and Trinity are seemingly alive and well, but their minds are locked away inside the Matrix, which has come to be far more hazardous. They have no apparent memory of their previous, however Neo is haunted by it. He sees flashes of what transpired in the earlier movies in his dreams, in what he thinks is every day lifetime.
That daily life now includes Bugs (Star Wars: The Pressure Awakens‘ Jessica Henwick), a blue-haired gunslinger with a white rabbit tattoo. When she crosses Neo’s route, we get more clues about just why Lana felt so compelled to return to The Matrix. (You can find also a rather meta procedure of that pretty problem in the film.) “Artwork is a mirror,” Wachowski writes. “Most will favor to gaze at the floor but there will be people like me who love what lies behind the on the lookout glass. I manufactured this movie for them.”
Henwick, 29, guarantees “a new tone” and “a new look” that helps make Resurrections much more vivid and “joyous.” Reeves, way too, was “struck by how much humor is in it” — but that does not imply Neo will be cracking quips like Tony Stark. “It is really throwing down the Matrix gauntlet yet again it can be tremendous wise, clever, entertaining, suspenseful, and amusing,” he says. Adds Watchmen and Candyman star Yahya Abdul-Mateen II, 35, who plays Morpheus, a distinctive model of Neo’s mentor originated by Laurence Fishburne: “Out of all of the sci-fi factors that I’ve performed, Matrix is the one particular that is the most grounded in reality, ironically. There are all of the superior ideas encompassing The Matrix inside our story, but seriously there is so substantially coronary heart and humanity that is driving this narrative.”
Emphasis on heart. “Not that it necessary it,” states Reeves, “but unquestionably the depth of why this film acquired built is the feeling of it being a like story involving Trinity and Neo.” It was Lana’s deep relationship to the figures that resonated with her stars. Reeves remembers the conversation when Lana to start with advised him about her concept for an additional sequel. “It was one particular of individuals mobile phone phone calls in which even nevertheless you might be at residence, you stand up,” he claims.
For her section, Moss noticed the new movie as a unusual “opportunity to embody” Lana’s like. “I’ve in no way felt that way ahead of, the place I could see that I am an extension of her coronary heart in playing this job,” she claims. Provides Jonathan Groff (Frozen, Hamilton), 36, who performs a go well with who may possibly be much more than he appears to be: “When I read through the script for this motion picture I cried, due to the fact the strategy of seeing these two iconic actors in these two iconic parts coming again and battling to have their like once again just wrecked me.”
In the 22 many years considering the fact that The Matrix initial strike theaters, audiences have never stopped wrestling with its themes — about breaking cost-free from oppressive devices and opening one’s thoughts to hidden truths. However, a single matter that anyone can agree on is the revolutionary affect the sequence has experienced on sci-fi tropes, particularly when it arrives to motion scenes, and Resurrections will not disappoint.
Filming started in February 2020, and the a variety of cloak-and-dagger makes an attempt to preserve 1 of the most anticipated productions in decades a secret didn’t pretty perform out: Bystanders leaked on social media a scene that was shot in San Francisco in which Reeves and Moss stand at the edge of a making more than 40 floors large, swarmed by missile-launching helicopters, with no decision but to jump. According to stunt coordinator Scott Rogers, who also worked with Reeves on the third and fourth installments of John Wick, Lana observed this sequence as a metaphor for the full film. “For her, the studio, the actors, every person,” he claims, “you’re taking this leap of religion.” Counters Reeves: “We have an remarkable filmmaker, a visionary, these incredible roles with the type of storytelling and concepts and marketing of thought. A leap of religion? We have a large amount of faith in that leap.”
Moss suggests she had “a good deal of road blocks to conquer” right before she was able to do the scene. She sat down at a table with her husband prior to the shoot to discuss it. “He is like, ‘You seriously gonna do this?’ And I was like, ‘Yeah, definitely. I do not know how I’m going to get there, but I know I’m going to get there.'”
“If we’re there, it really is not a stunt,” jokes Reeves, which means the stunt professionals are the kinds who actually do the unsafe stuff. “But Scott established up a problem wherever we could do it. So, we did.” Moss acknowledges how her actual physical capabilities have altered from 20 many years in the past when she was filming shut-quarter battle scenes with extra relieve. It was about “respecting that time has handed, that my body’s experienced three youngsters,” she says. “But I also enjoyed that obstacle.”
Henwick had her possess leap of religion to consider. Very best recognized for enjoying Nymeria Sand on Match of Thrones and Colleen Wing on Iron Fist, she was up for a role in Marvel’s Shang-Chi and the Legend of the Ten Rings at the very same time she was up for the role of Bugs. The two Disney and Warner Bros. knew about the other offer you and gave her an ultimatum: She could audition for their film only if she forfeited the competing undertaking. Neither purpose was certain. “It was a purple-capsule/blue-capsule second for me,” she states.
Henwick sees Bugs as “the audience’s eyes” into Resurrections, which is how one could search at all of the actors new to The Matrix. Abdul-Mateen credits Reeves for “pushing us and setting the standard” for the operate. Groff concurs. “[Keanu] taught me so a great deal about the agreement of two individuals to hit each individual other, but not hurt just about every other,” the Broadway-skilled actor says. “When our struggle was more than, I felt deeply related to him in a bodily way.” It is really not dropped on Groff, who arrived out publicly as homosexual in 2009, that he is concerned in such an motion-weighty movie when queer persons have not largely been welcomed into that area. That is a further testomony to Wachowski, who introduced back again many crew members from Feeling8, a collection that prominently featured LGBTQ stories, although welcoming new faces into her inventive loved ones.
To the two actors who know her best, Lana felt like a diverse director in some ways. Reeves remembers that on the original trilogy, she was “additional powering the keep an eye on” but “nonetheless palms-on.” With Resurrections, “she was collaborating far more with the movement of the digicam, and a lot more interested in doing than rehearsing.” It was considerably less about prep and additional about everyone’s readiness to discover the unforeseen in the moment. Reeves confesses they “scarcely rehearsed, if at all.”
In other ways, doing work on Resurrections was like reuniting with an previous mate. As soon as Lana known as “Motion!” Moss says she went correct back to exactly where she was with Reeves in the original movie. “Most of my scenes are with Keanu, and it was just a satisfaction to sit throughout from him and do that yet again,” she suggests, as she and Reeves sit aspect by facet in matching director’s chairs. “He has a masterful being familiar with of motion. I’ve viewed him mature in the previous 20 decades. I’m in awe of it.”
Reeves shakes his head again and forth as she speaks, silently protesting. “But you’ve got obtained a taste,” he responds. “It can be Trinity! It really is Carrie-Anne Moss, Trinity taste. All the fierceness and head, concentrate, commitment is there in the gestures. Untamed and wild and managed.”
Just after all these many years, it really is even now a taste we can’t get enough of. Ahead of Moss and Reeves modify into their upcoming outfits for the image shoot, they slip absent, catching up on just about every other’s lives because earning Resurrections. They push by means of the studio’s back again exit, flooding the darkened area with afternoon sunshine. Followers of the movies may well instantly consider of the door of gentle, a portal Neo would use to slip into the digital “backdoor” of the Matrix. But that is not really it. “They are taking a cigarette crack,” a crew member states. In this universe, even the most relaxed of exits appears cool.
Movement course and pictures by Dan Winters for EW. DP and Submit-generation Alex Themistocleous Generation: Michelle Stark Extra publish-output: Ethan Bellows Design and style: Chuck Kerr Set design and style: Ed Murphy Reeves’ styling: Jeanne Yang/The Wall Group Hair: Nina Paskowitz Make-up: Geri Oppenheim Moss’ styling: Sydney Lopez/Two Administration Hair: Sunnie Brook/Forward Atists Make-up: Patti Dubroff/Ahead Artists. Cover glance: Reeves: Jacket: Hermes Shirt: James Perse Moss: Costume: Jonathan Simkhai Earrings: Nouvel Heritage.